My Creative Process
I always start with a question; a clear dilemma that the audience wrestles with throughout the show and takes home with them. I think a belief is only as strong as the opposition it's forced to overcome. Arguments should be staged so well that the audience has to choose a side.
This question drives the rehearsal process. I see myself as a story architect laying the foundation for the actors to build their characters around — prompting imagination rather than dictating action. I was directing the world premiere of The Man Who Ate Time and made an offhand joke about a tertiary character's backstory in rehearsal. That joke became the foundation of the actress's entire performance.
When tech week comes to test all of it, someone has to hold the room. Recently, I served as Assistant Director for a production of Hedwig and the Angry Inch. The director was unable to work for the entirety of tech week, so I stepped in to lead the cast, designers, and crew through the process. Since I had taken the time in rehearsals to discuss the central question with the director and the performers, I was able to make appropriate judgement calls on the fly.
The question starts it. The question sustains it. The question is what they leave with. Everything in between is the work, and I love the work. I'm based in Los Angeles, but I go wherever the work is. If you've got something worth building, let's talk.
- Titus
Featured Work
Production Photos
The Man Who Ate Time
Director & Co-Producer | The Hudson Theatres | 2026
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Promotional Videos
Fiddler on the Roof (starring Jason Alexander)
Producer's Assistant | La Mirada Theatre for the Performing Arts | 2024
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Disney's The Little Mermaid (Tour)
Director's Assistant | La Mirada Theatre for the Performing Arts | 2024
Watch
The King and I
Director's Assistant | La Mirada Theatre for the Performing Arts | 2023
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Directing Team
| Production |
Role |
Director/Producer |
Venue |
Year |
| The Man Who Ate Time |
Director |
The Joy Who Lived Festival |
The Hudson Theatres |
2026 |
| Hedwig and the Angry Inch |
Assistant Director |
Dir. Erick Marquez |
The Victory Theatre Center |
2026 |
| DC 20 |
Director |
Conundrum Theatre Co. |
The Victory Theatre Center |
2025 |
| Legally Blonde |
Director's Assistant |
Dir. Cynthia Ferrer |
La Mirada Theatre for the Performing Arts |
2025 |
| The Little Mermaid (Tour) |
Director's Assistant |
Dir. Glenn Casale |
La Mirada Theatre for the Performing Arts |
2024 |
| The King and I |
Director's Assistant |
Dir. Glenn Casale |
La Mirada Theatre for the Performing Arts |
2023 |
Producing Team
| Production |
Role |
Director / Company |
Venue |
Year |
| Fiddler on the Roof (starring Jason Alexander) |
Producer's Assistant |
Prod. Tom McCoy, Cathy Rigby |
La Mirada Theatre for the Performing Arts |
2024 |
| The Man Who Ate Time |
Co-Producer |
The Joy Who Lived Festival |
The Hudson Theatres |
2026 |
Backstage
| Production |
Role |
Director / Company |
Venue |
Year |
| Millennials Are Killing Musicals |
Deck Crew |
Dir. Kristin Hanggi |
The Colony Theatre |
2026 |
| Broadway Voices Unite |
Assistant Stage Manager |
Dir. Lee Martino |
The Eli and Edythe Broad Stage |
2025 |
| The Sound of Music |
Head of Props |
Dir. Glenn Casale |
La Mirada Theatre for the Performing Arts |
2022 |
| Mamma Mia! |
Head of Props |
Dir. TJ Dawson |
La Mirada Theatre for the Performing Arts |
2021 |
| Clue |
Head of Props |
Dir. Casey Hushion |
La Mirada Theatre for the Performing Arts |
2021 |
Training
| Degree |
Discipline |
Institution |
| Bachelor of Fine Arts |
Cinematic Arts Production (Directing / Writing) |
Azusa Pacific University |
| Minor |
Business Management |
Azusa Pacific University |
Special Skills
- New Works Development
- Script Analysis
- Comedy & Farce
- Parkour / Movement Athletics
- Tour Management
- Playwriting & Screenwriting
- Production Management
- Electric & Acoustic Guitar
Let's Talk
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